BijouBlog

Interesting and provocative thoughts on gay history, gay sexual history, gay porn, and gay popular culture.

Come to the Cabaret

Come to the Cabaret

“Come to the cabaret ...”

I watched the movie Cabaret when I was in high school under adult supervision (I guess it was beyond my parents to figure out that Sally Bowles was not at all judgmental about her gay friends).
 

The I graduated in college to the gender bending Victor, Victoria, much of which takes place in nightclubs/gay bars which seem to be pretty much be synonymous with cabarets.

Live entertainment … torchy songs around the piano … lamps with shades on the tables … people smoking … all dressed up in evening gowns and tuxedos …. scenes that were also commonplace in mainstream Hollywood movies of the 30s and 40s, except in those movies, they were pretty much heterosexual, though the usual sultry contralto (low, almost masculine) voice of the lead female singer singing songs usually about elusive romance and hidden passions and perhaps a “sissy” waiter hinted at gender bending.
 

When I first came out in the eighties, there was a big gay bar that I guess you could also call a cabaret in Chicago, called Gentry. It was rumored to be the place to pick up a rich husband. Now, apparently, such places were not at all uncommon in Chicago, strictly gay cabarets often featuring drag performers, as far back as the 1930s.

According to Lucinda Fleeson in an article called “The Gay 30s,” there was place called Diamond Lil's, at 909 North Rush Street (get the reference to Mae West?), that was so popular people ended up being turned away. And the high society people flocked to those places; the Chicago Gray Line Sightseeing Company included gay pick up venues such as Bughouse Square in front of the Newberry Library as part of its package, appealing to the allure of what is strange, different, “queer.”


Yes, Chicago was Sin City, until mayor Edward Kelly decided to “clean up” the nightlife, and the moral panic of 1936 (everyone was a potential sex predator; remember the 1980s Satanic day care crisis? Same mentality) pretty much ended what was called “The Pansy Craze.”

Tastes have changed, and cabaret seems to have become a more specialized entertainment, not because of its audience, but because of its musical appeal. Some claim that piano bars/cabarets in general declined by the late eighties because of the popularity of electronic music, disc jockeys, bands, and even live karaoke.

In fact, I can't think of a specifically gay cabaret in Chicago since the closing of Gentry (it tried to revive itself in Boystown after leaving the Rush Street area, but it has since closed). There's a place called Davenports in the hipster area Wicker Park which is a piano bar not specifically gay (I noticed on its schedule a gay tribute for Pride Month, focusing on gay icons of the past, but no drag acts), and Mary's Attic, a gay venue in the now heavily gay area of Andersonville often puts on cabaret acts.

 

Perhaps the fascination with retro for these demographics might have something to do with the popularity of these venues … but tastes (and gay icons) have changed, or one might even claim, they've become more eclectic, especially for millenials who can stream practically anything in a millisecond.

Still, it's awesome to be able to find places in Chicago that keep cabaret, now taking on the status of a tradition, alive in the Chicago area.

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The Real Benefit of Same-Sex Marriage: Human Dignity

The Real Benefit of Same-Sex Marriage: Human Dignity

 

This scenario is unfortunately all-too familiar: a gay man dies, and his partner ends up having to fight the “blood family” for property, a dwelling place, even a burial space. Unless a gay couple takes extraordinary, expensive legal measures, which in some cases means even adopting each other (see this link for a famous case), they are not legally protected, which protections and benefits would happen automatically if they were a heterosexual couple.
 

I know one person the above scenario happened to. He had to leave his dwelling of twenty-five years. His partner's homophobic family banned him from the funeral, and stole the burial plot. Why? He was not legally protected.

 

In another case, another friend of mine was much more fortunate. They lived in Florida, a state notorious for its homophobia (hello, Anita Bryant). Luckily, the partner's sister and brotherin-law were on good terms with him and followed his instructions about the sale of the house and other matters of the estate. Regardless of the financial situation, they respected the relationship. Their respect showed they saw my friend as a person, not an enemy “other” or an impersonal commodity.

The Edie Windsor case publicized and created much-needed discourse at the highest level the fundamental injustice of our defining only by gender civil marriage (yes, civil, not religious/sacramental). Edie would have had to pay an astronomical amount of inheritance tax on her wife's estate (yes, wife) because, as above, they were not a heterosexual couple. In response to this case, the Supreme Court struck down DOMA.

In other words, the civil society essentially treats those who do not fit heteronormative social structures as second-class citizens in a country which purports (and has failed and still fails to do) to operate under a claim that all people are created equal.

What I've said so far is not new, but I think it is really about not just the issue of same-sex couples being able to enjoy the economic, social, and psychological benefits of civil marriage, but about human dignity.

Human dignity transcends the physical ties of blood and the laws people make to be able to live together (which often results in people using each other as commodities, rather than persons). We experience human dignity by showing empathy and compassion for a person outside yourself, which means being able to find a piece, however difficult that may be, of that person in you, a process of growing, really becoming. To use the language of the famous Jewish philosopher Martin Buber, we need to enter into an I-Thou relationship, rather than an I-It one.
 

It's unfortunate that many of the benefits that those who enter into marriage are commodities (and in the past, remember, the wife [and the children] were essentially property of the husband), but I am hoping that we will get to the point that marriage equality is not just about a legal transaction. It's the recognition of the dignity of each human person as a complex, imperfect, non-binary becoming.
 

 
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Gay Pool Party, 1940s Style

 


It's pretty much a given, that, as humans, we often laugh at what others think is taboo, or in fact, anything that really makes us uncomfortable.

 

(My students, though technically adults, still laugh at the word toilet.)

The greatest comedians have known that a joke about sex usually gets a laugh, and the best ones don't always have to necessarily be that graphic.

Here are a few zingers from The Big Book of Famous Sex “Quotes.”

 

Mae West

A terrible thing happened to me last night – nothing. – Phyllis Diller

Home is heaven and orgies are vile
But you need an orgy once in a while. – Ogden Nash

The perfect lover is one who turns into a pizza at 4 a.m. – Charles Pierce

I know so much about men because I went to night school. – Mae West

Sex is more exciting on the screen and between the pages than between the sheets. – Andy Warhol

Pornography is in the groin of the beholder. – Anonymous

Oral sex: the taste of things to come. – Anonymous

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Retrostuds of the Past: Focus on Gordon Grant

Retrostuds of the Past: Focus on Gordon Grant

 


Gordon Grant! He's the total rock solid muscle hunk with a 9 inch uncut cock who's featured in several magazines and brochures we carry and on the covers of our titles Pleasures in the Sun and Hot Truckin'. In Hot Truckin', tough-looking Gordon, called Buck, is a handsome deliverman who sucks and fucks blue-collar types while on the job - first a carpenter, then a painter - both young, handsome, and horny. He and his co-worker (Nick Rodgers) end up picking up a hitchhiker … in more ways than one.
 

Born in Alaska of Dutch and Nez Perce Indigenous heritage, he appeared in such films many of the FalconPacs, like The Lifeguard, Working Late, and The Crotchwatcher in the 1970s and 1980s.
 

Gordon Grant on a beach in The Lifeguard

He also appeared in Dirty Words, billed as Falcon's first feature film (as opposed to loops). He also went by the name of Don Bowman.

According to a vintage Colt magazine, he worked for two years as a construction worker on the Trans-Alaska pipeline. Ripe fantasy material …

Gordon also did some stunning Colt photo spreads, often modeling two figures in the Village People gamut: cowboy and construction worker. Wow! Such big arms!
 

Gordon Grant cowboy Colt photo

 


He pretty much epitomizes the original Colt man, a direct descendant of all those muscle beefcake types that appeared in magazines like Physique Pictorial and Tomorrow's Man.



Gordon Grant - Backpacking to Nature - Colt photo


Gordon has passed on, but information is obscure. A couple of sources claim he died in the early 1990s from AIDS related causes, the fate of so many porn stars of that generation, but I could find nothing specific.

Still, he pretty much has entered the Mount Olympus of gay porn icons.
 

 


 

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Fairy Godfathers in the Pink Collar Ghetto

Fairy Godfathers in the Pink Collar Ghetto

 

<em>Will and Grace</em>

 

Was the Will and Grace duo (gay guy and his “BFF” straight woman) that epitomizes, for many heterosexual audiences, a slice of gay life really that much of a groundbreaking novelty? Yes it was, because the show was aired on national TV, so it created a lot of discussion about that type of relationship. But believe it or not, in a late-sixties publication called Sex Play: A Marital Guide for the Gay Male (from our extensive collection of gay sexual history materials) there is an hilarious article on the gay guy and his “BFF” straight woman.Time Magazine: April 4, 1983


In the late sixties, once the Post Office lifted censorship restrictions about showing full frontal nudity, homoerotic publications started showing not only cocks, but couples in a variety of sexual positions (still rather risky for that time period). In order to continue to cover their asses, these publications advertised themselves as “how to” or “guide to” material, and often included articles on various aspects of gay life that may or may not have had anything actually to do with the sucking and fucking going on in the pictures. Thus, this supposed marital guide, though offering relevant articles about gay couples getting married (yes, they did at this time period) and why it is beneficial to be a homosexual, is billed as “educational material not to be sold to minors.”

But why is there material on, as the term on the street labels them, “fag hags,” in this publication? In accordance with its educational mission, the article “Living It Up Together” purports to offer a heterosexual reader a glimpse of the “homosexual life,” which includes feelings of love which can result relationships not dissimilar to “straights,” the author claims (including marriages in “homosexual churches”). But the author also claims to offer insights into some a special relationship prevalent when gays and straights mix in social settings (apparently a more common occurrence during that time period, though either group would be in the minority depending on the party). That relationship is the gay man-straight woman. The article proclaims:

Many “straights” get a tremendous charge out of the company of inverts and actually prefer associating with them rather than their own crowd. Older women are constantly added to the list as patronesses or benefactresses because they adore the flattery and attention lavished up them after the “normal” society has given up complimenting their fading egos. They are caught up in the gaiety and effervescence (more sham and pretense, but usually convincingly so) of the seemingly light-hearted, brilliant conversationalists and exhibitionists of which this (gay) crowd is comprised.

Pretty heady, campy stuff! I won't get into the use of the term invert (now an old-fashioned word for gay, meaning that somehow the usual sexual attribute and desires of one's gender are inverted, turned around, even reserved in gays and lesbians), but what I find really interesting is the now-offensive stereotype here in full force, one that was assumed, hinted at, but not necessarily shouted from the rooftops for many years. For example, gay icon Joan Crawford surrounded herself with gay men (her best friends were a gay, by all practical purposes married, couple, William Haines and his lover Billy), but the darker side of this relationship also applied to her. According to some of her biographers, a few gay men, then called “starfuckers,” supposedly took advantage of her good will as she aged.

Joan Crawford and William HainesThe bottom line in the above: A woman who is not or no longer attractive to straight men supposedly hangs out with gay guys and even hopes that she can somehow “reform” him. Think more like what the comic Roseanne said: thank God for gay guys because fat girls would have no one to dance with. Not exactly the Will and Grace dynamic, as Grace was young and attractive to straight men, more the ditzy young sidekick than the aging lonely dowager. Another fictional embodiment of this relationship, Robert Rodi's novel Fag Hag, humanizes the stereotype, he still maintains some of its brutally campy elements in the character of Natalie, the young overweight girl hopelessly in love with her gay friend and out for revenge when he finds the love of his life. Let's just say she makes Glenn Close's methods in Fatal Attraction look surprisingly amateur.<em>Fag Hag</em>


I think there's more going on here than “times have changed” since the late sixties. Straight women apparently (so I've heard from private sources) can hang out in gay bars with their gay friends and not be derided as “fag hags” as the core parts of what used to be the “homosexual lifestyle” become assimilated into the mainstream. But is the stereotype totally dead? After all, there is a show on the LGBT Logo channel called "1 Girl 5 Gays," in which five “outlandish, fabulous” gay men tackle topics ranging from love and sex to celebrity pop culture, with a female host acting as “ringleader.” Is this show more like entertainment or reality, I wonder...

Whatever the reality, I wonder if we finally are starting to realize that whatever relationships end up coming our way, we need to see ourselves as whole persons, not get so bound up in dualisms that lend themselves to potentially harmful stereotypes like gay guy/straight woman.

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