BijouBlog

I first encountered Gino Colbert in his youthful glory, in a spanking fetish film Bijou Video carries called Disciplining the Undisciplined Athlete. Gino, playing a short in stature boxer with a chip on his shoulder, and Michael Ryan spank each other.

Little did I know Gino was also a phenomenal director and producer with a multitude of porn films to his credit, including straight and bisexual ones. In fact, according to an interview in a February 25, 2004 issue of Unzipped, he even cast the legendary Jack Wrangler in several straight flicks.

He also worked with the famous straight porn actor and director Ron Jeremy on several pictures.

Gino was born in 1957 in Toledo, Ohio, and like many guys and gals from the Heartland, wanted to to to Holllywood to make it big in pictures. He ended up making it big in adult films, beginning in 1980, but eight years later made an extraordinary transition to directing. He is best known for directing Men in Blue, Blue Blake's final film appearance.

I culled some interesting tidbits from two interviews Gino did for Manshots magazine in October 1989 and December 1990. I'll let him speak for himself about sexual chemistry between actors in porn movies and also about Bijou's classic “story porn:”

“You have to hire people who like to suck and fuck and enjoy it. And if they don't, you're gonna have a dead sex scene. I'm hot because I like sex. In a sex scene, I really go crazy, the moment the clothes are off. Even if the guy is mediocre, I can get something out of him while acting.”

“I choose my actors by the chemistry techniques. I have to find guys who will work with other guys. I just can't put Guy A with Guy B and expect them to have a good time. It's a very personal thing – they have to have sex together, and one guy may not be turned on to another.... You learn all that by talking to them ahead of time and asking them straight out, 'What turns you on? What kind of guys do you like?' I focus on heat. I like my sex scenes hot, so you have to have the right chemistry.”

Manshots: “Is the younger consumer aware of the stuff that was made in the past?"

Colbert: I don't think so, because if it's a new consumer, chances are he only knows video. He doesn't know film. He doesn't know about the days when we were taking time to make movies. And a typical x-rated film, whether it be gay or straight, was shot over four days and the budgets were more … we're talking about five and even six figures. I remember one gay flick that was shot over a week, and it cost six figures – Centurians of Rome. And it's still on the market and it's doing well, because a lot of people claim the consumer doesn't care about the story, as I said earlier, but those movies that have the good stories and really went to town with the quality, those are the ones that are still on the shelf and still selling.”
 

Gino no longer acts, but he still directs and currently owns his own production company, Gino Pictures.

We recently remastered a mostly black-cast movie called Black Jacks; Gino produced the film, and he also is a performer, doing a couple of hot scenes with the black guys in the cast.

Check out more of our titles that feature Gino and also stand the test of time with their combination of hot sex and engaging stories.

The facts (courtesy of Back2Stonewall.com):

David Ashfield was one of the biggest names of 1980s porn, making dozens of movies and appearing in plenty more as a stunt dick.

He was slim, born in 1960, had a huge and thick cut penis and topped (although he started off as a bottom in early Falcon loops). 
 

David starred in movies like Below the Belt, and was famous for big ejaculations.

David speaks for himself; passages from an interview in the October 1987 issue of Hot Shots:

“Fantasies started to come along when I was about 12 years old … I grew up in the desert in Arizona. So of course, I had dreams and fantasies of long blonde-haired country boys; and grass and trees; playing in the woods; you always dream of what you don't have.”

“Do you find it more exhilarating with a live audience?"
"No, because it's a totally different trip. When we're doing the movies we're in a corner, just us and the cameraman; it's still pretty much private, even though there are people there. Everyone knows exactly what's going on, and are all part of the deal. Whereas when I'm on stage I'm a spectacle. I try to be a trouper and do a good job of it, bring out the Scorpio side of my image, but, a lot of times I still get the willies.”

“For the record, what is the main feature about your cock that makes you stand out in a crowd?"
"A lot of guys have a dick as long as mine, but most people don't have one as fat as mine. It's 6-1/2 inches around. And in the movies I can really fuck.

"Do you find a lot of guys can't take you?"
"Some can, some can't. About an even number, I guess.”
 

A former friend of mine who entered a lavender marriage with a former female friend (yes, I am a big gossip) reeled in horror when I told him my little kitten (who passed away from feline leukemia in 1989 after I had her for only six months) was in the room when I was jacking off. Yes, that little kitten might pick up some unsavory habits. Yikes!

In 2002, I got my cat, “The Honey,” (she passed away in 2013) who developed into the attention whore of the century. She would not only watch, but sometimes, while various sexual acts were going on, would do her usual “show the belly” routine, which in cat body language, means, ultimate trust. Once, my late partner was getting a blow job in my living room from another guy (I was out that afternoon), and he told me she was in fine “show the belly” form.

I don't think The Honey was getting off on the sex. Instead, another human was there who could supply her with attention. And given that cats are territorial, rather than trying to mark boundaries by excluding outsiders, she wanted to be inclusive, on her terms. As I used to say, if something major (a hot guy in full leather cop mode getting his cock sucked and boots licked, certainly major) was going on in her queendom, she had to be involved in it somehow.

The presence of cats seems to be a common trope, perhaps, in our classic gay films.

One of our classic films, The Night Before, does involve a gay couple picking out a kitten as part of their bonding. I'm not sure if one could imply the kitten was present when they have sex later.
 

In Always Ready, a cat sleeps on Casey Donovan's bed, the scene of many interesting activities, of course.

In From Paris to New York, a white fluffy cat jumps on the furniture and hangs out during the sex scene.

A cat in Wanted: Billy the Kid rolls around, trying to get attention, while two men have sex.

And in In Heat, during the frightening BDSM scene, a cat is chilling out in the background, indifferent to what is basically a home invasion.

(I'm not sure if cats can consistently function as “watch cats.” And they're definitely not “man's best friends.” They're not dogs.)

Tumblr, source of all things weird, even offers a site, Indifferent Cats in Amateur Porn.

Well, it certainly fits the criteria as it focus on the two most popular  Internet obsessions: cats and porn.

One totally awesome perk for working at the Bijouworld office (it isn't sex) is you never what you might find in the files.

Yes, files, think beige manila folders, not computer directories. We pretty much have anything, yes anything, related to gay sex dating to the beginning of the last century. Just ask!

I was looking for a retrostud to do a blog on for this week, and I pulled a file that contained a list of former jobs of 12 gay “porno” stars, by Leigh Rutledge, author of the book The Gay Decades.

Interestingly enough, these retrostuds didn't just work as the stereotypical bartenders or escorts or strippers.

Al Parker (below) worked as a butler, a video technician, and a personal aide to Hugh Hefner at Playboy magazine.
 

Keith Anthoni (below) was a waiter, an actor in Pepsi commercials (which one?), a stage actor, and a male stripper.
 

Steve Scott worked in the publicity department at Universal Studios.

Kip Noll (below) was very blue-collar; he was a machinist, an auto mechanic, and a carpenter.
 

Roy Garrett (below) was employed as a supervisor in a New Jersey cosmetics factory, as well as doing the bartender/male stripper thing.
 

Jamie Wingo (below) worked in marketing for a gay advertising agency and also, guess what, stripped.
 

Jack Wrangler (below) was a child television star with his own NBC series, Faith of Our Children. He also did bit parts on the Mod Squad and Medical Center. If my mother only knew …
 

Scorpio (below) was a male stripper in straight bars. He tried to get into modeling but found out from an agency that his job as a stripper killed his chances.
 

Richard Locke (below) worked very diverse jobs. He was a tank commander in the army, a gas station attendant, an insurance claims adjuster, and a baths attendant.
 

Jayson MacBride (below) danced and sang as a chorus boy. He later enjoyed a successful career in corporate market research.
 

Mike Davis (below) was a set designer.
 

Christopher Rage worked as a talent manger for cabaret acts, as a male escort, and then joined an ad agency promoting X-rated films.

I just can't get the picture out of my mind of Al Parker as a butler wearing some tight-fitting livery! One can only dream …

Hope you enjoy this very photogenic blog!

Ra

 

Now, this guy was one superstud, but also, from what I have read, multitalented. Born in Germany as Wolfgang Praegert in 1957, of an artist father, and the young Wolfgang apparently exhibited acrylic paintings at exhibitions in both France and Germany. He lived in Paris (to which all artists gravitate at some point), and then emigrated to New York City. He studied opera there briefly. (I am impressed. I wonder if he was a tenor, a baritone, or a bass.)

He then got into gay porn, making his first appearance in Chain Reactions after moving to Los Angeles. Now, why would he get into porn? He was one studly macho guy (uncut, hairy chest, but also the Marlon Brandoesque lips, woof!), of course, but maybe the art and the opera didn't quite work out as well for him.

He worked with Al Parker for Surge Studios, making appearances in Head Trips and Strange Places, Strange Things.