BijouBlog

By Will Seagers

In other blogs I have mentioned the transition "into" the porn industry. This happened as my looks started to develop in a positive way and men became interested is seeing me... all of me! And, this includes the porn industry, too.

 

This was a bit of a shock when all of this first started because I always thought that in my adolescence I was sort of awkward looking, to say the least. During high school, I thought the occasional trick was a charity fuck. Not too much self esteem there, eh?

Well, well, well! It was just after high school and into my first year at engineering school that my good old hormones (and looks) kicked in and things were in for a change... for the better. I started to lift weights, take vitamins and pay attention to how I squeezed myself into those lovely and popular "bell-bottoms" of the time. The family jewels were well displayed in those jeans as well as the good old 501s.

OK. So I had established a formula for getting myself laid as well as getting some pretty good jobs along the way. Of course, while hunting for jobs, the family jewels thing was toned down and replaced by a new desire to be "fashionable." Ha. I remembered getting myself all gussied up in a great Pierre Cardin tweed suit and parading my tush over to NYC to the Eastern Airlines building to apply as a Steward. I got the job. It was funny - I asked to hold the interview in French and that went over quite well! Bien sûr!

This pattern of looking good and saying the right thing (in the right language) went on for years as the formula for getting the jobs and men! Once firmly in the porn biz, I had a very good fifteen year run. BTW, I usually held down a decent selling job at the same time while keeping my screen persona on the Q.T.!

 

Things really didn't change much on the attraction meter until my 60s. Yes. I said my 60s. I know, it even seemed uncanny to me that during my late 40s and all throughout my 50s the magic was still there. I have described in prior blogs about "The Beach" and luring many men. I just left out that I was almost old enough to be their father! Ha!

 

Then POW! The 60s hit. I know, I guess I shouldn't complain - I had a great run! But, it was as if I wasn't even there any more... no more turned heads, unwanted stares and the like.

Boy! When age caught up with me - it didn't fool around. It was like someone flipped a switch! First prostate cancer at age 60, then countless bouts of skin cancer... like the one from which I am currently recovering. Ouch! But, all that aside, I thought there was some niche for a noble looking older guy like myself. Towards the end of my 60s I came to the realization that les jeux sont faits - the game was up.

 

 

I love writing these blogs. They give me the chance to relive my memories and an extraordinary live - for which I have no regrets - except becoming invisible.

Thank you to Will Seagers for use of his photos.

Bio of Will Seagers:

Will Seagers (also credited as Matt Harper), within his multifaceted career and participation in numerous gay communities across the country in the '70s and '80s and beyond, worked as a print model and film performer. He made iconic appearances in releases from Falcon, Hand in Hand, Joe Gage, Target (Bullet), J. Brian, Steve Scott, and more, including in lead roles in major classics like Gage's L.A. Tool & Die (1979) and Scott's Wanted (1980). He brought strong screen presence and exceptional acting to his roles and was scene partners with many fellow legends of classic porn.

 

 

When I saw on the Bijou website that they are offering Nova Studios note cards (Set 1 and Set 2), I thought to myself, what a great collector’s item! I remember my older brother’s collection from 1966 of the Lost in Space “Topps” trading cards, especially the ones featuring my first crush at age 5, Don West. Card sets came in various sizes, small enough to include a flat piece of bubble gum and as large as Lobby Cards showcased in theaters. What an incredible taste of the 60’s and 70’s, and it’s no surprise to me that Nova Video’s founder Robert Walters (known to me as Scott Masters) included such items in his mail order business.

Walters started his business in 1967, producing male photo sets for bookstores, and then partnered with Reuben Sturman to shoot and print magazines. In 1970, magazines segued into loops (8mm short films designed for peep shows) and by 1976, Walters had directed more than 100 of them. The same year, he founded Nova Studios and shot their first production, Tub Tricks. The silent films were now 20 minutes in length and sold through direct mail as well as at adult bookstores.

Nova’s offices were right across the street from Pink's Hot Dogs, a Los Angeles landmark, where on any given day you can see A-List stars in line or in their limos waiting for Pinks’s Famous Chili Cheese Dogs. Several blocks away was another wiener stand called Oki-Dog, which was not as famous. Instead of Hollywood elite as their customers, the place was always crawling with street hustlers, making it a great location for Walters to pick up lunch and discover new talent for photographing.

The Robert Walters Nova era was prior to my meeting him in 1987, but my friend Chet Thomas worked for Walters at Nova from 1984 to 1986, when Nova stopped production and they both signed with Catalina Video. Once I moved to Los Angeles, Chet and I were attached at the hip and he would tell me stories about his times working for Robert Walters. William Higgins hired Walters as head of production, and he shot his first movie for Catalina called The Bigger They Come. Chet Thomas became the company editor. Walters, now known to everyone as Scott Masters, hired me in 1987 in San Francisco and then brought me to L.A. in 1989. He set me up in a fabulous condo on Sweetzer Street just a block from The Spike, a gay bar that Chet and I would hang out at.

Being new to Los Angeles, Scott Masters had me shadow him everywhere. Any day that we weren’t shooting sex, he had a list a mile long of “things” for me to do. At times I felt like an indentured servant, frequently getting him his favorite lunch (curry chicken sandwich from a Sunset Blvd deli) or organizing and inventorying his garage, which was filled floor to ceiling with wardrobe from his Nova and Catalina movies. Masters was a “costume queen” producer, always spending money from our budgets on them to satisfy his own fetish. Obsessed would be an appropriate word. When he wasn’t focusing on the latest Members Only jacket, he trained me on producing, budgeting, directing photo layouts, scouting locations, model scouting, and grooming. One day, we headed to San Diego to meet a potential new “exclusive” model, but stopped on the way to see a penthouse in Hollywood for a possible shooting location. The penthouse unit had the highest ceilings ever with a massive balcony overlooking the living room. It was beautifully furnished, very high end, until we got to one room in particular. Inside that room was a wall to wall wrestling mat, making it look like a sports facility.

The owner led us to an attached room where a couple of guys looking very “Street-Wise” were throwing back some beers. The owner of the penthouse was David Hurles, one of the first reality porn moguls famous for the Old Reliable video line. David would pick up ex-cons, street hustlers, straight dudes looking for bucks and pay them pretty well to smoke cigars, wrestle, flex their muscles, flip off the camera and jack off. His collection feels very authentic… because it is! The guys are exactly what they portray on the screen, hard edged and a little frightening in a very HOT way! It felt a bit tense being around them, for me. David invited us to stay to watch him film, which I thought would have been amazing, but Scott declined, as we were on our way to San Diego.

Once in San Diego’s Seaport Village, we waited at a table for the potential new model to meet us. Adam Grant came walking up with a huge smile, great personality, and very excited at the prospect of being an exclusive model for Catalina. We talked, then went back to his apartment where Scott Masters got some hard shots of him (fattest dick ever) while I waited in the other room with his female roommate - awkward! He was cast to star in Head of the Class 2, which we ended up shooting in Palm Springs instead of David Hurles’ penthouse. When grooming the new star, Scott Masters went all out, taking Adam Grant to stylist of the stars José Eber's salon. Adam looked great after the makeover, but introducing him to Eber kind of backfired. Once Head of the Class 2 finished shooting, Adam Grant and Eber started a decades long relationship and Grant was no longer interested in becoming a Catalina Exclusive Model or shooting any more movies.

Scott Masters produced all of my and John Travis’ features from 1987 to 1992. Catalina ownership changed hands and Masters and Travis could not come to terms with a new contract and left the company. It was a huge loss for Catalina Video, and the same year they both started Studio 2000. I was offered the role of producer with Catalina, which I worked at until 2007 when the company was sold yet again. I’ll write much more about Scott and John, as there are so many adventures that need to be told. In 2020, Scott Masters passed away at the age of 86 in Bloomington, Illinois. He was one of the very first in our field, paving the way for adult photographers and filmmakers to come. His star shines bright in the skies like a supernova.

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

By Will Seagers

I remember always admiring those built young  men when I first started cruising Christopher St. and going to Village bars and clubs. There was no doubt in my mind - likes attracted. So, "Gymming" had to become a part of my life.

My first experiences were "Health Spas" and the good old YMCA. The health spas offered pretty good workout equipment. But, they were more family oriented and had no sexual undercurrents. One thing that I noticed about the Ys was the additional activity going on in the wet areas. I could hardly wait to finish my workout and get to the showers! Lol.

During my stint as a steward for Eastern Airlines, I always opted to go off on my own on layovers when possible. This was particularly true when I flew between NYC and Montreal. L'Aero - Navette was the name of this shuttle flight. I spoke French and made the inflight announcements... usually with some chuckles form the French Canadian passengers. It seemed nobody could figure out what my accent was! Lol.

 

Anyway, Montreal was one of those cities where I stayed at the Y. It was smoking hot! I was especially drawn to the burly dark haired Canadian lumberjacks! They never failed to deliver the logs.

Fast forward to my arrival in San Francisco in the mid 70s, the Y came to the rescue again! Being new to town and not yet acquiring a gym membership, I made frequent visits to the branch downtown. I was most amazed at how brazen people's approaches were! Lots of grabbing and groping were to be had!

I don't remember what brought me to The Pump Room, one of the earliest gay men's gyms, but I sure made a home for myself there! It was a modest storefront location just above Church St. on Market St. It had two partners, Lee and Bob. The first was the primary partner and a very flamboyant type. The latter went on to partner with two other folks and create The Muscle System - AKA The Muscle Sisters.

I really liked the feel of the place and asked for a job. I was at a high point in my porn career, was recognized and was hired. I got hit on by a lot of the members and developed a thick skinned "attitude." Some members complained. But, I did my job, helped train new members on the equipment and was a recognized asset to the business. So, Attitude and all, I remained part of the staff for three years.

I mentioned that one of the owners was flamboyant. And, I should also add very talented at pageantry. There were festivals held at the San Francisco Civic Center called the Beaux Arts Balls - an annual event. I was asked to participate in several of these major costumed events. Lee was very clever with design. He made himself up in a huge blue plexiglass diamond. Along with several other buffed members of the gym, we "linked' together with Lee to form The Hope Diamond and its silver chain. It was very well done and garnered awards.

Perhaps the most vivid memory of these Beaux Arts Balls was one where we came as the signs of the Zodiac. Lee was the Sun. And, once again gym members were recruited and made up the twelve signs. Even though it wasn't my sign, I was given a very fetching costume of a Centaur - Sagittarius - complete with bow and arrow! Lee had crafted the rear, horse half of the centaur from chicken wire covered in purple (Sagittarius' color) velour with the horse feet on castors. I strapped it to my butt and it blended with my purple leotards. It was a knock out costume. When we presented ourselves on the runway, we were met with cheers and screams. Due my recognition in the porn biz, this spectacular costume and a little extra bravado on my part, the place went nuts as I was announced and I trotted down the runway with this horse's ass attached to me. I certainly didn't mind be a Sag for a night!

The gay gym topic is a huge one for me. More to come au future!

Bio of Will Seagers:

Will Seagers (also credited as Matt Harper), within his multifaceted career and participation in numerous gay communities across the country in the '70s and '80s and beyond, worked as a print model and film performer. He made iconic appearances in releases from Falcon, Hand in Hand, Joe Gage, Target (Bullet), J. Brian, Steve Scott, and more, including in lead roles in major classics like Gage's L.A. Tool & Die (1979) and Scott's Wanted (1980). He brought strong screen presence and exceptional acting to his roles and was scene partners with many fellow legends of classic porn.