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My roommates and I lived at 19th and Castro for many years starting in 1984 when I was 22. The neighborhood had everything we needed. Between Market and 18th, just across from the Castro Theatre, was Marcello’s Pizza where they sell pizza by the slice to a non-stop line from opening to closing time. Two doors down was Louie’s Barber Shop which was always filled with guys checking each other out while they waited for their haircuts. Every three weeks or so I plopped my ass in one of those chairs for a crew cut on the sides while keeping it a bit longer on top, with spiking gel. While I changed my haircut over the years, it always seemed to revert back to that same look.

Donuts 24 was on the corner of 18th and Castro and was the place to cruise for your last chance hook-up after all the bars let out at 2am. For those truly too horned up to go home, a block away was Collingwood Park which was basically a baseball field with some extra land. Men would line up along the chain link fence, cruising the passersby and sometimes jumping into whatever random car might pull up. It was all a bit dark, murky and desperate, but my roomies and I would end up there from time to time.

The infamous Elephant Walk bar was kitty corner from Donuts 24 and became notorious as the place the cops came to when they exacted their revenge for the gays setting City Hall ablaze after the Dan White verdict. Police descended onto the Castro and the Elephant Walk, violently striking the bar patrons who were already filled with complete fury and disdain for the police state and justice system. The gays fought back and set police cars on fire. By the end of the night, dozens of police cars were set ablaze and 20 people were arrested.

We cooked at home a lot, but when we were too lazy we could pop across the street from our flat to the Canton Bistro for Chinese takeout. My roommates were: Alvonne, a student at San Francisco State University, Paul, a waiter at the Patio Café on Castro, and Brian, who did odd jobs like mover, waiter, bar back and call boy, advertising in local gay classified ads. We spent a lot of time at the Patio Café which had an incredible outdoor setting and a great cheap meal, because Paul would leave most of our ordered items off the bill. My aunt and uncle visited once with my parents so we took them there for lunch. Eating at the table right next to us was porn star Rick Donovan, with his sister I think. The café was buzzing about it so my aunt took the opportunity to swipe the ashtray and salt and pepper shakers while everyone else was transfixed on Donovan. The four of us were inseparable and, because we were in our early 20s, we related mostly to the Midnight Sun Video Bar as our top choice for a local hangout.

The Midnight Sun was a new concept at the time born from the new and exciting MTV generation. We were there for milestone moments like when Madonna rolled around on the floor while performing "Like a Virgin" at the MTV Awards, gathering anxiously to see premieres of videos from The Talking Heads, The Bangles, Bananarama, The Go-Go’s, Psychedelic Furs, Human League and Queen’s “I Want To Break Free.” Roxy Music’s Bryan Ferry was tripping my trigger in those days, especially the Avalon album. There was a waiter friend of Paul’s at The Patio Café who was a dead ringer for a young Bryan Ferry. I tried every trick in the book to peak his interest, but it just wasn’t in the cards.

The Sun was not a place to necessarily brush up on your cruising skills, but more of a gay social scene where we all could form comradery with complete strangers who appreciate music and visuals on the big screen. Charging only $1.75 for a Seagram’s 7 and 7up and $1.25 for Budweisers, the small space was a gold mine for the owners. Literally a standing room only place with ledges for sitting along the side and back wall.

Wednesday Night was Dynasty night and you needed to get there at least 45 minutes before the show started or you would be stuck outside in line, not getting in until after the show - if you were lucky. Watching Crystal push Alexis into the lily pond for the very first time was the ultimate high. Everyone went wild! I remember seeing the episode on Halloween in 1984 where Alexis is put in jail, after which we hit the packed streets of Castro to take part in all the costumed madness! Dedicated fans didn’t miss a beat as we saw several drag groups with their “Free Alexis” banners! I guess it wasn’t only the Castro that was clicking with Dynasty’s theme that night. You know, I like to rummage through my spouse’s photos (as you might have read in my blog “Is That Al Parker In Your Photo?”) and, lo and behold, there he and his friends were, that same night in West Hollywood… dressed in drag and carrying “Free Alexis” signs!

The Midnight Sun’s VJ followed the crowd pleaser cues from the Dynasty clips and regularly showed classic fight scenes. I remember one in particular from The Turning Point with Anne Bancroft and Shirley MacLaine, fighting and pulling each other’s hair on a rooftop! Anne Bancroft’s real name was Anna Maria Italiano and she was cousin to my spouse’s father. Unfortunately I never got to meet her!

The Midnight Sun is still going strong to this day but is now featuring a diverse weekly line-up including: drag shows, go-go boys, karaoke, throwback hits with 2 for 1 drinks and Latinx Thursday Nights. Next time you're in San Francisco, pay them a visit If you find yourself on the corner of 18th and Castro looking for some good clean fun.

Previous blogs in DEEP INSIDE THE CASTRO series:
The Castro Theatre - Josh Eliot
The Badlands - Will Seagers

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

I am very excited to begin this new series with my co-author Josh Eliot. Readers of the Bijou blogs should be quite familiar with Josh's excellent writing style and accounts of gay history past. This new series will be delving into various neighborhoods in San Francisco during the 1980s. Our first look will be in the Castro... a perfect place to start!

My knowledge of The Badlands and its sister bar The Phoenix will be coming from the perspective of a DJ. That was my job in both of these bars. It would not have been right to skip over the Phoenix, as that was actually the first of three bars that I played in the Castro. Also, in its original iteration known as Toad Hall, it was one of the most famous and history rich spots in the district. Many a famous face (and body) waltzed in and out of its doors during the heydays of the mid 70s. People such as Al Parker appeared there frequently. You never knew who you were going to bump into. But, you were always guaranteed a good time!

After my brief but pleasant stint playing at Dreamland, I realized that I was not cut out for playing the very long hours that were required. My hat is off to those who could play those sometimes twelve-hour shifts! Luckily I had been approached by the manager of the Phoenix and Badlands who asked me if I would be interested in playing. Without hesitation I said yes and soon started at the Phoenix.

This was a very different kind of place for me. It was a Castro St. bar with a very regular and dedicated clientele. They seemed to take to my eclectic mix of R&B, disco and jazz. My only complaint about the bar was the booth. It was more like an aerie! One had to climb what appeared to be a ladder straight up the wall and enter the booth through the floor. Bringing up crates of records... well, you can imagine what that was like! The view and the sound were great. But, you certainly had to put on a long song if you wanted to take a pee break! Lol. My tenure at the Phoenix was only a few months, as I was suddenly moved "across the street" to The Badlands!

But before leaving the Phoenix, I need to mention a neighborhood spot just two doors down on the corner of Castro and 18th: the Star Pharmacy with its celebrity Jackie “Star.” She was loved by everyone in the neighborhood.

Moving on, one afternoon the manager of both bars, Ben, came into the Phoenix to ask me if I wanted to play at The Badlands. Once again without hesitation I said yes. I was pleased to find out that he had become a fan of my music and thought it would be an even better fit at The Badlands. I guess I should also mention that this move had something to do with my popularity in L.A. Tool & Die! The booth in The Badlands was in the back of the bar but was visible to most of the clientele. It was shortly after this that I met the owner of both bars, Ron Holmes. Ron was always very quiet and a bit shy. He seemed to like me and always treated me with respect. When I least expected it, I would find him in the back of the booth smiling and enjoying the music. Sometimes it actually startled me!

This was a great job and a great house to play. I remained there for four years! At first, it was a bit daunting in that some of the very best DJs in the city played there: Timmy Rivers, Johnny Hedges and my very dear friend Jorge Martinez (who formerly played at the Boom Boom Room as discussed in one of Josh's previous blogs). For the first few weeks I followed Timmy Rivers' "Church." Timmy did an amazing and soulful mix on Sunday afternoons that got the whole bar swaying! I would come in at 8PM to relieve him and continue until we closed at 2AM. My biggest challenge and goal was to seamlessly blend into his last record and keep the feeling he had created intact for as long as possible. After a bit, I would segue into something more energetic with my signature thumping bass line! After about a month or so, I was given Saturday nights. These were my most cherished memories of being a DJ. I loved to take the room on a trip by taking popular tunes and building momentum to a point that the crowd would scream with joy when a new peak was hit during the night. One of my fondest memories/compliments was when a patron came to the booth with a shot for me and told me that my music made him feel like he was on cocaine! Their only complaint was that they could not dance... it was a stand up bar!

It was a treat and a privilege to have worked with the great and sexy bar staff that that provided the drinks and visuals that made this bar a legend. Its iconic cedar shake interior with license plates from all states and years adorned the walls. Most iconic were the "do not" placards. They resembled stick figures in various positions. Two of my favorites were the figure holding a pot to his mouth and a red circle and a line through it indicating - no pot smoking. The other was in one of the two men's rooms - the open men's bathroom. It had a bathtub AND a trough style urinal! This sign had two stick figures - one kneeling in front of another with the red circle and red line running through it. (I let you figure out what that one meant! Lol.) Regardless of the signs, hot little incidents would have to broken up from time to time. Men will be men! I look back at all of this and think "what a great time to have been alive!"

Bio of Will Seagers:

Will Seagers (also credited as Matt Harper), within his multifaceted career and participation in numerous gay communities across the country in the '70s and '80s and beyond, worked as a print model and film performer. He made iconic appearances in releases from Falcon, Hand in Hand, Joe Gage, Target (Bullet), J. Brian, Steve Scott, and more, including in lead roles in major classics like Gage's L.A. Tool & Die (1979) and Scott's Wanted (1980). He brought strong screen presence and exceptional acting to his roles and was scene partners with many fellow legends of classic porn.

 

“Deep Inside” is a series in four parts that Will Seagers and myself are writing. The first in the series focuses on San Francisco’s Castro neighborhood, where Will and I both spent a lot of time during the 1980’s. Although Will Seagers and I have never met formally, I am convinced that he sold me my first VCR at Eber Electronics in 1984. I can’t say for sure, but that photo of him at Eber’s from his blog “The Stereo Maven of Castro Street” convinced me, because he looked very familiar. After purchasing the VCR on a payment plan I remember running across Market Street to Captain Video to rent a couple of VHS tapes, most likely a horror movie and a porn.

In 1984 my friends and I were incredibly lucky when we found and rented our flat at 629 Castro Street. It had three bedrooms, was located just above the corner of 19th and we paid $750 per month. Our landlord Marlene got sole ownership of the three level building and a nearby house in her divorce settlement. Our unit was located on the middle floor with an artist (painter) and his roommate above, and a leather couple below. The neighborhood had so much to offer with bars and restaurants on every block. 18th and Castro was the main intersection; to the right was your coin-operated laundry and Cala Foods Supermarket, to the left was The Midnight Sun video bar and Moby Dick (where Will Seagers was known to DJ).

Near the Corner of Castro and Market Street was The Castro Theatre, which is my focus for this blog as it was truly the heart and soul of the neighborhood. This landmark represented a place where the gay community could come together and show appreciation for their favorite films and icons. They hosted premieres like Milk, the story of Harvey Milk, and more recently The Matrix Resurrections, complete with cast and crew appearances. There was a constant array of new releases as well as classics that were shown, providing quite a wide variety of constant entertainment for the neighborhood. Inside this majestic palace the architecture was astounding and much was coated in gold leaf. There was a balcony, of course, and the main level consisted of three sections, the right side being the “smoking area.”

Suddenly Last Summer was the first movie I saw there. I was surprised and delighted when, prior to the beginning of the movie, the Mighty Wurlitzer Organ rose from the floor on a platform. The sound quality was amazing and when the player finished his performance with the song “San Francisco” (open your golden gate) the crowd sang along from the top of their lungs. What was this place? This experience was already so much more than just going to a movie house. Suddenly Last Summer was my first “real” introduction to Montgomery Clift and Katharine Hepburn, but it was Elizabeth Taylor with her 22” waist and pointy bra that stole the movie for me. I’d only ever seen her in films like Night Watch where she was, what?, late forties? Well in Suddenly she looked stunning from the moment she graced the screen in her insane asylum uniform. Even though the gay undertones in the movie were “way over my head,” just being in the packed house with a mostly gay audience was a thrill. The place exploded in applause when the real nut, Katharine Hepburn, rode up the private elevator in her gothic mansion at the movie's end. I’m sure they could hear the cheers and applause down the block!

There was always something going on at the Castro Theatre. We saw the premiere of Lust in the Dust with Divine and Lanie Kazan, and though the audience was every excited, the movie was a bit disappointing as we really expected a John Waters classic, but he didn’t direct it, Paul Bartel did. Joan Collins came there in person for An Evening with Joan Collins, a live on stage interactive event. I’m not sure if she was pushing a book or just riding the Dynasty wave, but it was incredible and we all thought that her head looked too big for her body. When her car drove off after the event, the street was so packed with queens screaming her name and banging on her car it could barely move down the road.

I even sat through four consecutive nights of Berlin Alexanderplatz (A 15 ½ hour , 14-part West German crime television miniseries, set in 1920s Berlin and adapted and directed by Rainer Werner Fassbinder) with Fritz, my boyfriend at the time (though he never admitted it). I thought he would see how invested I was in our relationship by showing my commitment to his viewing choices, since none of his other friends would sit through 15 hours with him. It didn’t really work, as you might have read in my recent blog, “Everybody’s Free To Feel Good.” I actually was blown away by Fassbinder’s work and became a fan, seeing a lot of his movies.

The best time ever was seeing Whatever Happened to Baby Jane, it would play there a few times a year and we would always go again and again and again. All those classic lines, which of course the audience all knew and yelled out! And that face, those Bette Davis eyes surrounded by all that white make-up on that giant screen! Nothing could beat that movie with a live audience!

Today I just so happened to go to the Castro Theatre’s website to see if they are still going strong and I am happy to report that they are! It looks like APE (Another Planet Entertainment) was chosen to partner with the owners of the Castro Theatre to implement significant improvements to the sound, lighting, customer and artist experience. They acknowledge the Castro Theatre is an icon of the LGBTQ+ community and a treasured space for film, music and live performance. It looks like they’ve got An Evening with Elliott Gould, a screening of A Mighty Wind (got to love Catherine O’Hara and Parker Posey!) and a performance by Shangela, made famous from RuPaul's Drag Race. The diverse schedule of events is in full swing. It’s great to see some things never change, they only get better!

Bio of Josh Eliot:

At the age of 25 in 1987, Josh Eliot was hired by Catalina Video by John Travis (Brentwood Video) and Scott Masters (Nova Video). Travis trained Eliot on his style of videography and mentored him on the art of directing. Josh directed his first movie, Runaways, in 1987. By 2009 when Josh parted ways with Catalina Video, he'd produced and directed hundreds of features and won numerous awards for Best Screenplay, Videography, Editing, and Directing. He was entered into the GayVN Hall of fame in 2002. 

This will be a rather unique addition to all of the blogs that I have written in the fact that Jules my editor, is sitting right next to me here in my home!

From the very beginning of taking on the blog, Jules has made me feel completely welcomed and comfortable joining the Bijou stable of creativity! So, in all honesty this will be a blog of dual input! Jules tone of voice and lack of immediacy eased me into wanting to become a writer and part of this project which I have embraced!

It all started with a simple question posed by blog writer "Madam Bubby," who at the time was writing for Bijou. And that question was, "Whatever happened to Will Seagers?"

Being a classic porn lover myself, I happened upon the Bijou site one night back in 2018. I brazenly responded back to that question with, "I am alive and well and living in the Southwest with my partner of 20+ years!" And to that the lovely Julia (at that time) emailed me to ask for an interview that we later did by phone.

Our 2019 attempts for communicating were soon hampered by COVID. It was a difficult time to launch a new project. But, we managed to do the phone interview. This was to be followed by the series of blogs that were delayed for two years. Unfortunately, there was a period of silence. The whole world was at the behest of this pandemic.

Rekindled! Fast forward to March of 2022 and we picked back up where we left off without missing a beat. Our communications took on the feel of two friends talking - not a distant business relationship! For me, my writing took on a new dimension of one-to-one conversation. This was mostly due to the encouragement of my (new friend) Jules... a change was in progress for the two of us!

The friendship part of this was also greatly enhanced by the fact that we were both devotees of Astrology. We had both studied this ancient Art/Science for many years. What we had to share took on a life of its own. We compliment each other in the enormous knowledge needed to converse in this specialty. Jules is great at assembling the charts and data so needed in the process. Whereas my gift is an innate ability to be able to synthesize and apply this info. This partnership is outstanding. This is a science/language with which we are both FLUENT!

How does all of this relate to a porn blog? Quite simply, we are better communicators. When you get to the point with a friend where you finish each other's sentences... that's a good pairing!

Back to work! I am primarily the writer. Jules is the assembler/editor. In my fury to get all of these story lines out of me and into a usable writing format, some shpilkes occasionally takes place! Jules puts me at ease with suggestions and compliments. So, as a duo we work quite well together. Over the past year or so we have grown close. I mandated that we needed to have an in person visit. Also, we have grown close enough to share some very personal life goals and accomplishments.

I met Julia at the beginning of this journey. It was also at this point that Jules was starting to emerge. After the "silence" of the pandemic and we got back in touch - and rolling - there were some changes. It was Jules that brought my attention to the deepening of his voice... it was deeper, quite deeper. And, then I was (finally) graced with more recent photos of him. I got to see the "Then" and "Now" pics. Keep in mind these photos were from over a year ago. Jules is still moving forward quite nicely! When I picked him up at the airport just a few days ago, I was pleasantly surprised at all of the accomplishment towards his goal.

As I already knew, my Alan and Jules would really hit it off. It has been a great visit. Also, well worth mention was the New Year's eve get together at my bestie Mac's house where everyone welcomed Jules into the fold. A great time was had by all!

I am truly blessed with meeting and working with Jules! I can feel the universe is conspiring in my favor. For, this comes at a time when I am also in a special period - one of deep retrospection. Soon to be 72, I am looking back at a life that has been blessed with some very rich experiences. I am grateful for my friend and "Co-worker" Jules!

Bio of Will Seagers:

Will Seagers (also credited as Matt Harper), within his multifaceted career and participation in numerous gay communities across the country in the '70s and '80s and beyond, worked as a print model and film performer. He made iconic appearances in releases from Falcon, Hand in Hand, Joe Gage, Target (Bullet), J. Brian, Steve Scott, and more, including in lead roles in major classics like Gage's L.A. Tool & Die (1979) and Scott's Wanted (1980). He brought strong screen presence and exceptional acting to his roles and was scene partners with many fellow legends of classic porn.

 

Well, Season's Greetings to one and all! This will be my first sequel blog. Back in November, I wrote about my love and fascination with the "musical" organ as well as the biologically attached one that got me into Bijou in the first place! Lol.

Because music has been such a large part of my life, whether it be DJing, selling Hi-Fi or playing and selling organs and pianos, my first blog on the organ left a lot out of a rather large story.

I remember leaving off the first blog at my arrival in Santa Fe. Until the purchase of the Lowery spinet, I had been without an organ for 5+ years... which seemed like a lifetime! I wound up purchasing a couple more organs in Santa Fe, which got me back to another Conn 651! It was not in the best of shape, electronically speaking. It seemed like my organ tech was always coming over to jump start this one.

With all of the abovementioned technical issues, I started pondering another brand... Allen. It was a wise move - musically and technically. My first was an ADC-3600, a beautiful two manual theater model. That didn't last long. Once you have had three manuals, two is a little limiting! That led to the ADC-3600's big brother, the ADC-4600 - the three manual and very well equipped version for its time.

 

It was at this time that I started to take organ lessons again. This was at the suggestion of my Allen technician. Little did I know that the man he was referring was a legend in the theater organ world who lived right here in my home town. I have decided as a courtesy to keep the anonymity of my teacher and tech. My "lessons" were really coaching sessions as my "coach" thought pretty highly of my playing and overall knowledge. I let him know that I was gay right from the start. He "let the cat out of the bag" during our first lesson, as well. He was my senior by 20 years. Besides the wonderful music, we had hilarious times with him recalling his various gay escapades during the '50s and '60s. Belly-laughing was always part of our curriculum!

Through him, I was introduced to his house-mate and his partner and we became a very large family that got together on all of the major holidays. All of this was wonderful except that in only a year and a half of knowing my teacher, his health failed and he passed in 2012. I was not only saddened but lost. I thought I had finally gotten a musical liaison back in my life! Oh well. I am quite thankful for that period of time that I had with him and the rekindling of musical energy that he gave me.

A year and a half later my step-father passed. He left me a nice sum that I used to get the organ that I own today... an Allen MDS TH 17. I still have to pinch myself when I look at it! It is massive and gorgeous! Oh, how I could have used my teacher to learn all of this organ's features. Playing music and playing an organ like this are two different things. Learning to maneuver through a song and change registrations with the thumb pistons and toe pistons was something that I was never taught. And, now in my 70s, it is something that I am determined to learn on my own.

All of these instruments have one thing in common - they have brought great pleasure. From the very first time I heard a theater organ as a child, I knew I wanted to play one. I have been moved to tears on many occasions. It has proven to be the gateway to my soul.

Bio of Will Seagers:

Will Seagers (also credited as Matt Harper), within his multifaceted career and participation in numerous gay communities across the country in the '70s and '80s and beyond, worked as a print model and film performer. He made iconic appearances in releases from Falcon, Hand in Hand, Joe Gage, Target (Bullet), J. Brian, Steve Scott, and more, including in lead roles in major classics like Gage's L.A. Tool & Die (1979) and Scott's Wanted (1980). He brought strong screen presence and exceptional acting to his roles and was scene partners with many fellow legends of classic porn.